![]() ![]() This helps keep discussion in the comments on topic and relevant to the linked material. Post titles cannot contain questions, even if the title of the linked material is a question. Post titles cannot be questions and must describe the philosophical content of the posted material.Please direct all questions to /r/askphilosophy. r/philosophy is intended for philosophical material and discussion. At a minimum, this includes: stating the problem being addressed stating the thesis stating how the thesis contributes to the problem outlining some alternative answers to the same problem saying something about why the stated thesis is preferable to the alternatives anticipating some objections to the stated thesis and giving responses to them. Posts must not only have a philosophical subject matter, but must also present this subject matter in a developed manner. All posts must develop and defend a substantive philosophical thesis.news about the profession or interviews with philosophers. Exceptions are made only for posts about philosophers with substantive content, e.g. Posts must be about philosophy proper, rather than only tangentially connected to philosophy. ![]() To learn more about what is and is not considered philosophy for the purposes of this subreddit, see our FAQ. But so far, all of them have been wrong./r/philosophy Rules and Guidelines Hover or Tap Each Rule for Full Details Posting Rules Everyone believes the world is ending all the time. It is tragedy and comedy and myth and fable and a warning and a comfort all at the same time. It is a book about books, a story about stories. It is an epic of the quietest kind, whispering across 600 years in a voice no louder than a librarian's. The greatest joy in it comes from watching the pieces snap into place. There's just a book thief, a boy and his ox, a messed-up kid who lost his best friend, a man putting on a children's play, a girl talking to a supercomputer. There are no heroes or villains, no global plots, no secret societies bent on controlling this lost manuscript. ![]() Diogenes' "Cloud Cuckoo Land" survived by luck, by chance, through sacrifice and dedication. If anything, he makes a point of reminding us again and again how easy it is for books to be lost across the ages - the staggering number of histories, tales, songs, account books, speeches, poems and stories that never made it through the meatgrinder of history. It is an epic of the quietest kind, whispering across 600 years in a voice no louder than a librarian's.ĭoerr does not overstate the importance of the story-within-a-story. For his central, eponymous hook, Doerr invents what is a ridiculous, Big Rock Candy Mountain kind of ancient Greek yarn about a dim shepherd named Aethon who hears a story of an imaginary city in the sky where there is no pain or hunger or suffering and believes it real who is turned into a donkey, a fish and an owl in his pursuit of this place - each echoing the lives of those characters whose stories intersect across the centuries, whose lives are shaped by Diogenes's comic tale. He breaks the story into a thousand pieces, then spends every page carefully putting it all back in order again.Ĭloud Cuckoo Land is a book that is in love with nature and with libraries, that disdains advancement and yet embraces technology (to read his descriptions of the construction of a massive cannon outside the walls of Constantinople or the experience of virtual reality aboard a space-ark a century from now are masterpieces of worldbuilding and wonder). Between the covers, across hundreds of pages, he has everything - birth and death, love and war, heists, escapes, the particular (though not unique) perils of growing up in 1453, 1940, 20. He makes links that persist across centuries, flits from place to place and person to person with an enviable grace, making seemingly impossible logical and temporal leaps seem as natural as breath. Doerr does amazing things with his story, with this narrative spread unevenly across such disparate characters, such different voices.
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